Apple News
Apple’s gripping new space-race drama ‘Star City’ premieres at CANNESERIES
This week, at the Cannes International Series Festival (CANNESERIES), Apple TV celebrated the global premiere of “Star City” with creators and executive producers Matt Wolpert and Ben Nedivi, and stars Rhys Ifans, Anna Maxwell Martin, and Agnes O’Casey. The highly anticipated new space race drama that expands the world of “For All Mankind” will make its global debut on Apple TV on May 29, 2026, followed by one new episode every Friday through July 10th.
“Star City” is a propulsive, paranoid thriller that takes us back to the key moment in the alt-history retelling of the space race — when the Soviet Union became the first nation to put a man on the moon. But this time, we explore the story from behind the Iron Curtain, showing the lives of the cosmonauts, the engineers and the intelligence officers.
Apple TV offers premium, compelling drama and comedy series, feature films, groundbreaking documentaries, and kids and family entertainment, and is available to watch across all of a user’s favorite screens. After its launch on November 1, 2019, Apple TV became the first all-original streaming service to launch around the world, and has premiered more original hits and received more award recognitions faster than any other streaming service in its debut. To date, Apple Original films, documentaries and series have been honored with 797 wins and 3,429 award nominations and counting including multi-Emmy Award-winning and history-making comedies “The Studio” and “Ted Lasso,” global cultural phenomenon “Severance,” Apple’s most-viewed drama “Pluribus,” Academy Award Best Picture winner “CODA” and Academy Award nominee “F1,” the highest-grossing sports feature of all time.
MacDailyNews Note: Apple TV is available on the Apple TV app in over 100 countries and regions, on over 1 billion screens, including iPhone, iPad, Apple TV 4K, Apple Vision Pro, Mac, popular smart TVs from Samsung, LG, Sony, VIZIO, TCL and others, Roku and Amazon Fire TV devices, Chromecast with Google TV, PlayStation and Xbox gaming consoles, and at tv.apple.com, for $12.99 per month with a seven-day free trial for new subscribers. For a limited time, customers who purchase and activate a new iPhone, iPad, Apple TV 4K or Mac can enjoy three months of Apple TV for free.
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Apple TV’s ‘Slow Horses’ and ‘Vietnam: The War That Changed America’ win 2026 BAFTA Television Craft Awards
Last night, Apple TV was recognized with two wins at the 2026 BAFTA Television Craft Awards, as Will Smith landed Writer: Drama for “Slow Horses” and Rob Coldstream earned Director: Factual for “Vietnam: The War That Changed America.” The BAFTA Television Awards recognize the best British programs, performances and productions each year. Additional winners of the 2026 BAFTA Television Awards will be presented on Sunday, May 10, in London.
This year, Apple landed 15 nominations for the 2026 BAFTA Television Awards, including International category nods for “Pluribus,” “Severance” and “The Studio”; a Specialist Factual nomination for “Vietnam: The War That Changed America”; and a Factual Entertainment nod for “Knife Edge: Chasing Michelin Stars”; as well as outstanding performance nominations for Leading Actor Taron Egerton in “Smoke” and Supporting Actor Fehinti Balogun in “Down Cemetery Road.”
These wins mark the latest recognition from the BAFTA Television Awards for Apple, following four wins in 2025 including Editing: Fiction and Sound: Fiction for “Slow Horses,” Original Music: Fiction for “Bad Sisters” and Children’s Craft Team for “The Velveteen Rabbit”; four wins in 2024 including Editing: Fiction and Sound: Fiction for “Slow Horses,” as well as Production Design and Original Music: Fiction for world-building hit “Silo.” “Bad Sisters” earned a Titles & Graphic Identity win in 2023, as well as a Drama Series win and a Supporting Actress win for series star Anne-Marie Duff at the BAFTA Television Awards. The celebrated limited series “The Essex Serpent” landed a Costume Design win for first-time BAFTA winner Jane Petrie in 2023, and in 2022, “9/11: Inside the President’s War Room” won Editing: Factual, and “1971: The Year That Music Changed Everything” won Sound: Factual.
To date, Apple Original films, documentaries and series have been honored with 800 wins and 3,431 award nominations and counting, including multi-Emmy Award-winning and history-making comedies “The Studio” and “Ted Lasso,” global cultural phenomenon “Severance,” Apple’s most-viewed drama “Pluribus,” Academy Award Best Picture winner “CODA” and Academy Award winner “F1,” the highest-grossing sports feature of all time.
Apple landed two wins for the 2026 BAFTA Television Craft Awards, including:
“Slow Horses”
Writer: Drama — Will Smith
“Vietnam: The War That Changed America”
Director: Factual — Rob Coldstream
Apple’s additional nominations for the 2026 BAFTA Television Awards, to be presented on Sunday, May 10 in London, include:
“Pluribus”
International
“Severance”
International
“The Studio”
International
“Vietnam: The War That Changed America”
Specialist Factual
“Knife Edge: Chasing Michelin Stars”
Factual Entertainment
“Smoke”
Leading Actor — Taron Egerton
“Down Cemetery Road”
Supporting Actor — Fehinti Balogun
All titles are now streaming globally on Apple TV.
“Pluribus”
“Pluribus” is a genre-bending original in which the most miserable person on Earth must save the world from happiness.
“Severance”
In “Severance,” Mark Scout (Adam Scott) leads a team at Lumon Industries, whose employees have undergone a severance procedure that surgically divides their memories between their work and personal lives. This daring experiment in “work-life balance” is called into question as Mark finds himself at the center of an unraveling mystery that will force him to confront the true nature of his work … and of himself. In season two, Mark and his friends learn the dire consequences of trifling with the severance barrier, leading them further down a path of woe.
“The Studio”
In “The Studio,” Seth Rogen stars as Matt Remick, the newly appointed head of embattled Continental Studios. As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps and breathes movies, it’s the job Matt’s been pursuing his whole life, and it may very well destroy him.
“Vietnam: The War That Changed America”
Ethan Hawke narrates this deeply profound look at what it was like to live through one of history’s longest wars, as told through first-person accounts and rarely seen footage.
“Knife Edge: Chasing Michelin Stars”
Experience thrilling highs and crushing lows as the world’s best chefs pursue the ultimate accolade: a Michelin Star. These anonymous inspectors have never let anyone in on their mysterious ways, until now.
“Smoke”
Inspired by true events, “Smoke” follows an arson investigator who begrudgingly teams up with a police detective as their race to stop two arsonists ignites a twisted game of secrets and suspicions.
“Down Cemetery Road”
When a house explodes in a quiet Oxford suburb and a girl disappears in the aftermath, neighbor Sarah Trafford (Ruth Wilson) becomes obsessed with finding her and enlists the help of private investigator Zoë Boehm (Emma Thompson). Zoë and Sarah suddenly find themselves in a complex conspiracy that reveals that people long believed dead are still among the living, while the living are fast joining the dead.
“Slow Horses”
This darkly funny espionage drama follows a team of British intelligence agents who serve in a dumping ground department of MI5 due to their career-ending mistakes. Led by their brilliant but irascible leader, the notorious Jackson Lamb (Academy Award winner Sir Gary Oldman), they navigate the espionage world’s smoke and mirrors to defend England from sinister forces.
Apple TV offers premium, compelling drama and comedy series, feature films, groundbreaking documentaries, and kids and family entertainment, and is available to watch across all of a user’s favorite screens. After its launch on November 1, 2019, Apple TV became the first all-original streaming service to launch around the world, and has premiered more original hits and received more award recognitions faster than any other streaming service in its debut.
MacDailyNews Take: Congrats to all of the casts and crews of BAFTA nominated and winning productions!
MacDailyNews Note: Apple TV is available on the Apple TV app in over 100 countries and regions, on over 1 billion screens, including iPhone, iPad, Apple TV 4K, Apple Vision Pro, Mac, popular smart TVs from Samsung, LG, Sony, VIZIO, TCL and others, Roku and Amazon Fire TV devices, Chromecast with Google TV, PlayStation and Xbox gaming consoles, and at tv.apple.com, for $12.99 per month with a seven-day free trial for new subscribers. For a limited time, customers who purchase and activate a new iPhone, iPad, Apple TV 4K or Mac can enjoy three months of Apple TV for free.
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Apple’s Q226 earnings preview: Analysts project another strong quarter
Apple is set to report its fiscal second-quarter 2026 results right after the market close (around 1:30 p.m. PDT / 4:30 p.m. EDT) on April 30, 2026, with the conference call scheduled for 2:00 p.m. PDT / 5:00 p.m. EDT. Wall Street is projecting another strong quarter, building on the company’s record-breaking Q1 performance and the ongoing iPhone 17 upgrade cycle.
Most Recent FactSet-Aggregated Analyst Expectations
The latest consensus estimates (as of April 25, 2026, per Yahoo Finance data, which aggregates analyst forecasts commonly aligned with FactSet sourcing) call for:
• Revenue: $109.69 billion (31 analysts; range: $107.08B–$115.37B), implying ~15% year-over-year growth from $95.36 billion in Q2 FY2025.
• EPS: $1.95 (32 analysts; range: $1.56–$2.16), up ~18% from $1.65 a year ago.
These figures align closely with other recent aggregators:
• TipRanks (as of April 19): $109.45 billion revenue and $1.95 EPS.
• Visible Alpha / S&P Global Market Intelligence (April 23): ~$109.3 billion revenue, with iPhone expected at ~$56.5 billion and Services at ~$30 billion.
• LSEG data via IG Markets: $109.5 billion revenue (+14.9% YoY), including iPhone at $56.9 billion (+21.4%) and Services at $30.4 billion (+14.2%).
Slight variations reflect ongoing analyst updates, but the overall picture is one of solid double-digit growth.
Key Drivers Analysts Are Watching
• iPhone and Products: Expectations point to continued strength from the iPhone 17 lineup and strong upgrade demand, particularly in the U.S. and improving conditions in Greater China. Some bullish calls (e.g., JP Morgan at $112.7 billion total revenue and Goldman Sachs highlighting 23% iPhone growth) see product revenue potentially beating the ~$78.8 billion consensus. Supply-chain constraints on advanced chips remain a minor headwind, but pricing adjustments are expected to help offset memory and component cost increases.
• Services: The high-margin segment is forecast to hit ~$30–30.4 billion (+13–14% YoY), continuing its reliable growth trajectory and supporting overall gross margin expansion to the 48–49% range.
• Apple Intelligence and Broader Outlook: While AI features are still ramping (with more details expected at WWDC in June), analysts will listen closely for updates on on-device processing, the Google Gemini integration, and the M5 chip roadmap. Gross margin commentary, China recovery, and any tariff-related risks will also be in focus.
• CEO Transition: Tim Cook’s planned move to executive chairman (with John Ternus stepping in as CEO on September 1st) adds an extra layer of intense interest. The call could provide reassurance on continuity and long-term strategy.
Consensus points to Apple delivering another beat-and-raise style quarter, with revenue growth in the mid-teens and healthy EPS expansion. The combination of iPhone supercycle momentum, Services resilience, and steady progress on AI positions the company well heading into the back half of FY2026.
Investors will be parsing every word from CFO Kevan Parekh on guidance, margins, and the path forward under new leadership. Earnings season kicks off in earnest on April 30 — expect the usual post-earnings volatility, but the Street’s bar appears comfortably achievable based on the latest FactSet-aligned forecasts.
Apple has a long-standing tradition of announcing updates to its capital return program — including dividend increases and new or expanded share repurchase authorizations — during its fiscal Q2 earnings release
Analysts and investors have come to expect these shareholder-friendly announcements in the spring quarter because Apple’s March-ending quarter typically generates strong cash flow, giving the board an ideal window to signal confidence in the company’s outlook while refreshing its capital allocation strategy for the year ahead. With Apple’s Q2 FY2026 results due April 30, 2026, many expect another mid-single-digit dividend raise and a sizable new buyback authorization to continue this consistent pattern.
MacDailyNews Note: As usual, we’ll bring you Apple’s results as soon as they are released, right around 1:30 p.m. PDT / 4:30 p.m. EDT on Thursday, April 30, 2026 and then follow with live notes from Apple’s conference call at 2:00 p.m. PDT / 5:00 p.m. EDT.
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Apple TV scores another perfect 100% on Rotten Tomatoes with hit ‘Widow’s Bay’
“Widow’s Bay” is a quaint island town 40 miles off the coast of New England. But something lurks beneath the surface. Mayor Tom Loftis (Matthew Rhys) is desperate to revive his struggling community. There’s no Wi-Fi, spotty cellular reception and he must contend with superstitious locals who believe their island is cursed. He wants these people to respect him. They don’t. They think he is soft and cowardly. And he is. But Loftis is determined to build a better future for his teenage son and turn the island into a tourist destination. Miraculously, he succeeds: tourists are finally coming. Unfortunately, the locals were right. After decades of calm, the old stories that seemed too ludicrous to be true, start happening again. “Widow’s Bay” blends genuine horror with character-driven comedy.
I have repeatedly said that Apple TV is one of the best streaming services right now, both because of its (at least somewhat lower) price (no ad tier) and its excellent batting average. Now, it’s hit another home run…
We’re talking about Widows Bay, the new series which launches this Wednesday on April 29. It’s got a 100% score with over a dozen reviews in so far.
“Two episodes will launch on April 29, and then it will just run for six in total, ending on May 27. The show was created by Kate Dippold, a writer on Parks and Recreation and Brooklyn Nine-Nine, and directed by Hiro Murai of Atlanta. Great pedigree from both of them, plus Rhys as the lead.
MacDailyNews Take: Apple TV certainly is one of the best streaming services available, if not the best.
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OpenAI secretly developing an Agentic AI smartphone to take on iPhone, Android
Renowned analyst Ming-Chi Kuo reports that OpenAI is partnering with MediaTek and Qualcomm on custom smartphone processors, with Luxshare as the exclusive system co-design and manufacturing partner.
Mass production is targeted for 2028.
The concept: an AI Agent-first phone that ditches traditional app grids in favor of a task-oriented interface — where users simply tell the device what they need done, powered by deeply integrated on-device + cloud AI. Kuo shared a concept design (above)comparing it to today’s iPhone home screen.
• Latest industry checks: OpenAI is working with MediaTek and Qualcomm to develop smartphone processors, with Luxshare as the exclusive system co-design and manufacturing partner. Mass production is expected in 2028.
• AI Agent redefines the smartphone: Users are not trying to use a pile of apps. They are trying to get tasks done and fulfill needs through the phone. This fundamentally changes how people think about smartphones. I made a smartphone interface concept design, shown [above], for comparison with today’s model, using the iPhone as an example.
• Why would OpenAI make a phone?
1. Only by fully controlling both the operating system and hardware can OpenAI deliver a comprehensive AI agent service.
2. The smartphone is the only device that captures the user’s full real-time state, which is the most important input for real-time AI agent inference.
3. Smartphones will remain the largest-scale device category for the foreseeable future.
• Tightly integrated cloud and on-device AI:
1. The phone needs to continuously understand the user’s context. Power consumption, memory hierarchy management, and basic small-model execution will be key processor design considerations.
2. More complex or compute-intensive tasks will be handled by cloud AI.
• OpenAI’s advantages lie in its consumer brand, years of accumulated user data, and leading AI models. Smartphone hardware is already highly mature, so OpenAI can work with the supply chain to develop the device. On the business model side, OpenAI may bundle subscriptions with hardware and build a new AI agent ecosystem with developers.
• MediaTek and Qualcomm are processor co-development partners and could benefit from long-term replacement demand:
1. Specifications and suppliers are expected to be finalized by late 2026 or 1Q27.
2. Taking MediaTek × Google TPU Zebrafish as an example, the revenue contribution of a single chip is roughly equivalent to 30–40 AI agent smartphone processors. If the initial target is the global high-end smartphone segment, which ships about 300–400 million units per year, the replacement cycle could become another major growth driver.
• No matter how hard Luxshare tries, it will be difficult for the company to surpass Hon Hai’s assembly position in Apple’s supply chain. That makes this project especially meaningful for Luxshare. With an early position in the supply chain, Luxshare could become a leading beneficiary in the next smartphone generation.
MacDailyNews Take: This highlights why Tim Cook had to go. He blindly missed AI and stumbled around for far too long trying to get Apple’s catch up effort moving. After 15 years of iterating on Steve Jobs’ innovations, Apple now, more than ever, needs to be nimble and future-focused in order to stay ahead of hungry rivals.
That said, there’s till plenty of time.
Apple has been integrating Apple Intelligence across iOS, with on-device and Private Cloud Compute smarts, Siri enhancements (with a real LLM Siri revolution coming very soon), and seamless task completion for years now — and they control the entire stack from silicon to software. OpenAI, meanwhile, is still mostly a software/cloud company scrambling to bolt hardware ambitions onto someone else’s silicon and manufacturing.
By the time this thing supposedly ships in 2028, Apple will have LLM Siri in users’ hands and be multiple generations into its own AI-optimized chips, with a mature, privacy-focused ecosystem that hundreds of millions of people already trust and use every day. “Just talk to the AI” sounds revolutionary until you realize that’s exactly where Apple and the Android knockoff peddlers have been heading — except with vastly more mature platforms, developer support, and, in Apple’s case especially, real privacy guardrails.
We’ve seen this movie before: plucky challenger promises to kill the iPhone with a radical new interface. he reality is usually far messier, with fragmented experiences, battery life disasters, app ecosystem problems, and users who ultimately just want something that works reliably.
OpenAI building a phone isn’t impossible — but betting against Apple’s ability to execute on its own AI vision while leveraging its unparalleled hardware/software/integration advantage is a sucker’s bet.
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Apple’s Smart Home revolution said to include new HomePod with screen and Robotic tabletop display
Apple is preparing to make a serious push into the smart home with two intriguing new devices that blend familiar HomePod DNA with large displays and advanced intelligence. According to details emerging about the company’s upcoming hardware, one is a wall- or stand-mountable smart display, and the other is a larger, robotic version capable of physically moving its screen for more natural interactions.
The Smart Home Hub: A HomePod With a Brain and a Face
The first device is best described as a HomePod with a screen. It features a roughly 7-inch square display and can be placed on a half-domed speaker base or magnetically mounted directly to a wall. This flexible mounting system should make it easy to install in kitchens, hallways, living rooms, or anywhere else a always-on smart display makes sense.
Under the hood, Apple is building a new operating system centered entirely around Siri. The goal is a more natural, conversational way to control lights, locks, thermostats, cameras, and the rest of your HomeKit ecosystem. Expect deep integration with Apple’s ecosystem — the device will support FaceTime calls, and a built-in facial recognition system will allow it to recognize family members and personalize the experience on the fly (greeting you by name, showing your calendar, playing your preferred music, etc.).
Think of it as the spiritual successor to the original HomePod’s audio prowess combined with the utility of an iPad mini that never needs charging and is always listening (respectfully, of course).
The Tabletop Robot: A Moving 9-Inch Smart Display
The second, more ambitious device takes the same core concept and supersizes it. It sports a larger ~9-inch screen and attaches to a robotic limb that can tilt, pan, and move the display to follow you around the room.
This mobility should make it dramatically better for video calls — the screen can literally turn to face whoever is speaking, creating a far more natural FaceTime or Zoom experience than static smart displays. Beyond videoconferencing, the robot could follow you while you cook, read recipes aloud, display security camera feeds as you move through the house, or even act as a helpful companion for kids or elderly family members.
Because it’s larger and more capable, this model is expected to command a higher price point, positioning it as a premium smart home centerpiece rather than an everyday speaker replacement.
Why This Matters
These two devices represent Apple’s clearest attempt yet to move beyond simple voice assistants and into the “ambient computing” era. By combining premium audio, high-quality displays, facial recognition, and (in one case) physical movement, Apple is betting that context-aware, personalized smart home interfaces will finally feel magical rather than gimmicky.
The new Siri-centric OS is particularly important. For years, Siri has lagged behind competitors in natural language understanding and proactivity. A dedicated operating system built from the ground up for home control could finally let Apple deliver on the intelligent assistant promise it first made years ago.
Expected Timeline and Pricing
While Apple has not officially announced either device, reports point to launches possibly as soon as late 2026 or 2027. The smaller Smart Home Hub is likely to be the more affordable of the pair, potentially starting around the price of a current high-end HomePod, while the robotic model will probably cost significantly more given its mechanical complexity.
These developments have been closely tracked by Bloomberg News‘ Mark Gurman, who has been reporting on Apple’s smart home ambitions for well over a year. Most recently, Gurman has provided ongoing updates on the devices’ development, manufacturing plans in Vietnam, and timelines (with the smaller hub potentially arriving as soon as next year and the robotic model to follow). His reporting remains the most consistent and detailed source on these forthcoming products.
MacDailyNews Take: If these devices deliver on their promise, they could reshape not just Apple’s smart home lineup but the entire market. A privacy-focused robotic FaceTime companion that follows you around the house? That’s the kind of future-looking product Apple has built its reputation on. Stay tuned — the smart home is about to get a lot more interesting.
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GETTR adopts Apple’s Liquid Glass design language across iOS, iPadOS, and macOS
GETTR has become one of the latest third-party apps to fully embrace Apple’s new Liquid Glass design language, updating its apps on iOS, iPadOS, and in the browser on macOS.
Announced at WWDC 2025 and rolled out with iOS 26, iPadOS 26, and macOS Tahoe 26, Liquid Glass represents Apple’s most significant software design evolution in years. It is a dynamic, translucent material that combines the optical properties of real glass — including reflections, refractions, and subtle light interactions — with a unique sense of fluidity. Unlike traditional static UI elements, Liquid Glass dynamically adapts to its surroundings and content. It shifts and transforms in real time to help draw focus to the main content while delivering a more expressive, immersive, and vital feel to controls, navigation bars, tab bars, buttons, widgets, and app icons. The material intelligently responds to light and dark modes, ambient colors, and user interactions, creating a harmonious experience that feels both premium and responsive across Apple’s platforms.
By adopting Liquid Glass, GETTR’s iOS, iPadOS, and macOS apps now feature smoother, more modern interface elements that let users’ content shine through with elegant translucency and fluid animations. The update brings the popular free-speech social platform in line with Apple’s unified design system, offering a more consistent and polished experience whether users are on iPhone, iPad, or Mac.
This move highlights GETTR’s commitment to delivering a high-quality native experience on Apple devices and positions the app among forward-thinking platforms that are quickly integrating the new design language.
MacDailyNews Note: GETTR users can follow MacDailyNews on GETTR here.
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[Thanks to MacDailyNews Readers too numerous to mention individually for the heads up.]
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